Grégory Chatonsky numbers among the contemporary artists who emerged at the same time as the Web in the 1990s. Since then, he did not stop staging the flows generated by networks in order to built fictions he now refers to as “variables”. His online creations, installations or performances question the relations between private and public. This first monographic catalog gathers texts by Michael Joyce, Violaine Boutet de Monvel, Pau Waelder, Natalie Leleu and Jay Murphy...

The term “log” is used to designate a file or a database in which all the events affecting a process (software application, transactions on a computerized network, etc) are chronologically recorded. Thus, between the sham ideal of “transparency” and the fluid discourse between “communicants,” the very foundation of immediate thinking, Sammy Engramer places a series of obvious things on center stage through his appropriation of the concept of the art magazine. For Engramer, designing a magazine offers the advantage of being able to resist both the gravity and the rigidity of the monographic catalog as well as the temptation to understand his work as fixed and definitive in form. The magazine LOG presents the many points of view permeating his approach to better weave together the links between the various elements that compose it...

The funnel is the first monograph published on Bertrand Lamarche. The book invites the reader to dive into the artist’s work at the confluence of kinetic art, cinema and architecture. At the door of perception, Bertrand Lamarche’s machines, videos and models produce phenomena of physical and mental projection, which he anchors in reality to provide viewers with appropriate perspective (the funnel, réplique)...

Without being an artist's book, this volume is a fully-fledged document in its own right associated with the exhibition Luci Loci Lanu, shown at Agnès B in April 2003...