A provocative building, bold expression of the reappropriation of the form of the Atlantic Wall bunkers and a fracturing of the modern plan, breaking with the architectural doxa of the 1960s, the church in Nevers stands out as one of the first post-war critical architectural works. Sainte-Bernadette du Banlay through his historical position, between modern legacy and proclaimed radicalism, as well as through his critical position, which, through the oblique function, anticipated digital exploration of so-called “computational” architecture.

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