This second issue of the review Exposé questions the work's foundation. The work appears as a potential space of multiple inscriptions devoted to dissemination of procedures. Multiple losses of inscription are substituting for the factual inscription, namely an a-territorial economy of creation which this issue of Exposé recounts through articles of history, essays, monographs of contemporary artists and literary texts, thus carrying on the cross-disciplinary route opened by "The Stuff of Names".

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